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Spirit
of Aloha | Articles
| Here's
Hawai'i | January/February
2003
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By:
Jocelyn Fujii
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Here's
Hawai'i
From Tibetan Lama to Retailer
Once a Buddhist monk in Tibet, Lama Wangchuk, through
his Silk Road Carpets, now sells exquisite rugs that have
been hand-woven in Himalayan villages
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Lama
Wangchuk says it takes one person about a year
to make a hand-woven Tibetan rug.
Photo
by Brett Uprichard
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Lama
Wangchuk walks through the antique Chinese moon gate of
his rug shop wearing a radiant smile and a crisp, long-sleeved
shirt the color of cranberries. A Tibetan Buddhist teacher
and a former monk, he cannot help but carry with him an
aura of refinement and joy. Under high ceilings, lining
the walls and floor, are sumptuous carpets in colors of
saffron, berries, sky and clay. Ranging from the traditional
to the abstract, the colors and designs evoke images of
high mountain places where clear-eyed Himalayan villagers
put a bit of themselves into every knot they tie by hand.
"
For one person, it would take about a year to make this," Lama Wangchuk
explains over one of the exquisite silk and wool carpets that fill his
Silk Road Carpets in Kaimuki. "Everything is hand-done. They hand-card
the wool, hand-dye it, and after that, they weave. When you see the hand-made
rug and machine-made rug, you can see, right away, the difference. This
takes so much skill and tradition, and the outcome is very beautiful."
There are Tibetan, Persian, Chinese, Indian, Afghani and Turkish rugs in traditional
and contemporary designs, as well as fine weavings, pillows and crafts from Africa.
On one wall hangs Lama's own design, a large lotus, weaved, like his other Tibetan
rugs, by his sister and relatives in Nepal. Near the entrance are traditionally
woven Tibetan carpets in the modern motifs of anthuriums and laua'e ferns, the
signature of local artist Colleen Kimura of Tutuvi. Kimura's work launches the
shop's Hawaiian Artists Collection, highlighting prominent Island artists whose
tropical designs are sent to the Himalayas to be made.
"
Once you know Tibetan weaving, you can do any design," the lama
continues. "The least fine is 40 knots per square inch. The finest
is 120 knots per square inch. The finer knotting gives you much more
clarity in the design. Color is most important for a look, but the quality
comes from the knotting." Also distinctive is the knotting
technique, he says. It's found neither in Turkey nor in China and resembles
Egyptian knots from 200 B.C.
While steeped in tradition, the lama is also a modern man. He is 37, wears Western
attire, and runs the shop with his wife, Dorothy, a former medical translator
whom he met soon after his 1995 arrival in Hawai'i. It was his first time outside
of India, where his family is among the nearly 2 million Tibetans driven to exile
by the Chinese government. He came to Hawai'i following 13 years of Tibetan Buddhist
training and three years, three months and three days in retreat at Sherab Ling,
a monastery in northern India established by his brother, the 12th Tai Situ Rinpoche,
one of the world's most revered leaders of Buddhism.
"
After a couple of years here, I met Dorothy and everything changed," he
reflects. "We said, OK, I am no longer a monk now." His first
job in America was making French fries at a Seattle McDonald's, a period
he describes as "sometimes a silly story," and also "a
great way to learn things." After their marriage in Seattle during
one of its worst snowstorms-3 feet of snow on the last day of 1996-they
returned to Hawai'i, where he worked four years for the Indich Collection
before forging out on his own.
"
My family had been making rugs for decades, so since I am not a monk
anymore, although I teach and do spiritual practice, I work with my family
to make a living," he says. The strong ethnic elements and deeply
rooted traditions make Silk Road Carpets a rare family enterprise. With
the lama's eye for elegance, it's also an aesthetic and cultural treasure.
Under the Hula Moon Archives
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